Inception how does cobb get out of limbo

Cobb defeats his regret by finally telling Mal that the two of them did grow old together in their shared dream. In other words, he fulfilled his wedding promise to her.

So, is Cobb being pulled back to reality by this thought, or is he being prodded further into his dream? That depends, perhaps, on how you view the very end of the film: At this point, Cobb seems to be finally freed of his regret and of his memory of Mal, and has been reunited with his children.

The final shot seems to indicate that he may be still dreaming because his totem keeps spinning. I want to make the case to you that our dreams, our virtual realities, these abstractions that we enjoy and surround ourselves with - they are subsets of reality.

The camera moves over the spinning top just before it appears to be wobbling, it was cut to black. Also read: Actor Vijay worried for stranded son in Canada amid lockdown: Report.

Reality matters. The crux? He rushes to hug his kids, leaving the totem behind. In that moment, he no longer cares if his world is real or not. Why should it matter when he is finally with his kids? I'm also afraid that Mal was never in limbo. Later they discovered that this dream could last for decades so they committed suicide and turned back to the reality.

The limbo appeared because of Yusuf's medicine in the main mission of the theme. It was too strong so while one was killed in the dream, that person would go to the limbo. Sorry for my poor English. I've tried my best to clear what I want to say. As stated, the mark thinks he is still awake, perceives the dream world as real and reinforces that notion by "projecting" his conscious view of the world onto the dream - this is why projection people populate the dream cities, etc.

Because of the extractor's manipulations, the mark goes along with the faux reality of dream, ultimately reaching the point where they either realize it's a dream, or open their mind and reveal their secrets. Projections - Dreams feel real to us when we're dreaming and part of the reason for that is our mind's ability to construct a faux real-world setting for us to interact within dreams.

Often, that dream is something like a city or any populated area which has other people walking around it. In Inception , those people that the unknowing mark populates the dream world with are known as "projections. As is explained in the film, projections are not part of the mark's mind - they are manifestations of the mark's vision of reality.

If a mark has been trained to defend themselves against extractors, they have a part of their subconscious which is always on guard against mind-crime in the form of militarized security which attack mind invaders.

In Cobb's case, Mal "the shade" is a projection based on his need to remember his dead wife. Mal wanted Cobb back in limbo - his own subconscious trying to pull him back to a place where he could "be with her. The Forger - As in "forgery," Eames Tom Hardy is a master of imitating people's handwriting, mannerisms - and in the dream world, even their very appearance.

Using Browning's image, Eames subtly suggests things to Fischer that fools Fischer into creating his own subconscious version of Browning seen in dream level 2, the hotel. The version of Browning Fischer conjures in his subconscious motivates him to run deeper into Cobb's maze dream level 3, the snow fortress in order to find "the cheese" - i.

Basically, the Forger fools Fischer into using his own subconscious projections against himself. Mal and her shadow - Mal is the character who acts as a vessel for all the more complex notions and questions about reality the film raises. Mal not only thought but felt that the world she and Cobb had built in limbo was real - it fed her emotionally and made her happy. When Cobb planted the idea that "Your world is not real" in her mind, he only meant for it to wake her from limbo.

Instead, what he actually did by allowing that idea to take root in her mind was to destroy that sense of fulfillment and connection she once had - and once it was destroyed, it couldn't be repaired. Even with her husband and children all back together, Mal couldn't access that emotional reality that comes with the bond of love and connection to our love ones.

Because of inception, Mal couldn't value love or connection the same way because a fake reality only offered fake connections and emotions - only she and Cobb and their love was real to her anymore.

She needed to keep trying to reach some higher state where the nagging doubt would be cured and she could be happy again. And so, thinking Cobb lost in a faux reality, she arranged the hotel suicide and murder implication in order to force Cobb to follow her. The idea Cobb implanted in her led her to her death seemingly , and the guilt of that act led Cobb to create a shadow of her in his subconscious.

At the climax of the film, Mal throws deep questions at Cobb and the audience asking if having faceless corporations chase somebody around isn't yet another dream state. She questions the very nature of reality for all of us and certainly whether or not the faux reality of film isn't its own sort of dream state - a place where fantastic things occur - an imagined place we as movie goers share and perceive differently and fill with our own subconscious views and interpretations. Pretty deep meta-thinking stuff.

There are a ton of theories being tossed around the Internet about the ending of Inception , the two biggest debates being whether Cobb was still in a dream or did he in fact return to his children in the "real world. The ending of Inception is meant to leave you thinking and questioning the nature of reality.