Who invented reggaeton




















Thus, the emergence of female artists has thawed the longstanding male-dominated image and lured new audiences who see themselves in the messages of empowerment and sexual autonomy. The traditional gatekeepers that declared reggaeton was dead have been powerless to stop its demand and plays. The Recording Industry Association of America's revenue report showed that 93 percent of revenues for the Latin market were from streaming.

With that, reggaeton's current popularity defies established crossover music etiquette. It should be noted that cross-pollination is taking place in other genres, too. So, perhaps we've finally reached the fulcrum when the genre of "world music" is, at last, actually global. In a word,! Change Makers. Type keyword s to search. Today's Top Stories.

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You may be able to find more information about this and similar content at piano. Advertisement - Continue Reading Below. Singers like Don Chezina, O. Many now popular producers, such as the Dominican duo Luny Tunes, Noriega and Eliel, first appeared in the reggaeton scene in This was due to N.

Another important artist that contributed to gain popularity to reggaeton, especially in Europe, is Don Omar, with singles like "Pobre Diabla" and "Dale Don Dale". Don Omar was also able to beat the in-store appearance sales record at Downtown Disney's Virgin music store previously set by pop star Britney Spears , further demonstrating Reggaeton's massive rise to popularity in the United States. Reggaeton beats Reggaeton's most notably unique feature is a driving drum-machine track, which sounds almost identical in virtually all reggaeton songs, and was derived from a popular Jamaican dancehall rhythm.

As stated previously this beat is called "Dem Bow", from the Bobby Dixon-produced Shabba Ranks song of the same title. Many of the sounds found in a typical reggaeton beat are electronically synthesized.

Simple melodies may be produced with keyboards, electric guitars, and other electronic instruments. Other forms of electronic dance music have significantly influenced reggaeton beats, such as techno, house, and genres such as the merengue hip hop also called merenhouse of groups such as Proyecto Uno and Zona 7.

Reggaeton beats are highly versatile. The great variety and flexibility of reggaeton beats can be illustrated by Luny Tunes' CD The Kings of the Beats , which is a collection of purely instrumental beats.

Reggaeton beats can be based on merengue, bachata, bolero, and especially hip-hop beats. Reggaeton and hip-hop Reggaeton bears many resemblances to hip-hop.

The most notable resemblance to hip-hop is that reggaeton, in most cases, is recited instead of being sung. Another feature is that reggaeton CD's are laid out like hip-hop CD's, including intro's, occasional interludes, and hidden bonus tracks. Reggaeton also has hooks throughout a song that may include a chorus of singers.

Reggaeton artists also adopt pseudonyms comparable to those of hip-hop artists. Overall, reggaeton and hip-hop are both thought of as street-styled music popular among urban youth. Despite the similarities, reggaeton only roughly fits into the Latin hip-hop category but is not synonymous with hip-hop. True Latin hip-hop has beats that almost exactly resemble mainstream hip-hop beats. Reggaeton, though, has rap-styled lyrics but has a very different beat that is influenced not by hip-hop, but by reggae , dancehall, merengue and techno.

Although reggaeton has been highly influenced by American hip-hop, it has also borrowed features from many other genres as well and is not strictly considered to be Latin hip-hop.

Reggaeton and hip-hop are often remixed together, and reggaeton songs and live concerts may feature hip-hop artists such as Lil Jon, 50 Cent, and Eminem.

In other remixes, reggaeton DJs may rap out an English song in Spanish. Reggaeton and hip-hop are accepting influences from each other today, and these musical blends also signify a cultural melting pot in today's urban scene. Reggaeton and hip hop artists are often mixed together to create hit singles. Luny Tunes produced the R. Lyrics and themes Reggaeton lyrical structure highly resembles hip-hop lyrics. Like hip-hop, reggaeton artists recite their lyrics rap-fashion rather than sing it melodically.

Like hip-hop music, reggaeton songs have hooks that are repeated throughout the song. Reggaeton also started as a genre composed of mostly male artists, with a slowly increasing number of female artists debuting over the years. Although a handful of black artists, like Don Omar, Ozuna, and Sech have made comparable strides toward international fame, the mainstreaming of the genre has correlated with a departure from its black heritage. It is the home of bomba, a musical tradition brought to the island by Africans forced into slavery by the Spanish colonists.

Enslaved populations from various tribes used bomba music and dance as a means of communication when they were forbidden from speaking to one another on the sugar fields. Rivera-Clemente feels that in addition to shared instrumental elements, bomba and reggaeton also share ideological roots.

Besides bomba, reggaeton also carries influences from early American hip-hop and Jamaican reggae. He recalls spending hours sifting through hundreds of dancehall and hip-hop records in Manhattan music stores.

Ivy Queen says that these black artists were some of her biggest musical influences, who she still carries in her music today. Along with Ivy Queen, Don Chezina, another pioneer of the genre, was among the first to rap over a reggaeton beat.

He went on to name artists like Jamaican reggae singer Shabba Ranks and Panamanian MC El General as being among the first to develop the dembow rhythm, or, the drum pattern that became the building block of all reggaeton.

Even today, we continue to hear Jamaican reggae and dancehall music sampled in modern reggaeton music.



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